Our complete, long and boring history has been documented meticlously on Wikipedia by our unofficial biographer, Mr Dann Chinn (thank you Dann!). It can be viewed in full here):
THE SCARAMANGA SIX – A BRIEF BIOGRAPHY:
The Scaramanga Six is the brainchild of headstrong siblings Paul and Steven Morricone. Not in any way like your conventional mindless rock-star filth, The Morricone brothers appear more like a pair of polite and softly-spoken, yet viciously intense and sadistic nightclub bouncers. Raised in the Westcountry seaside resort of Weston-Super-Mare on an education of Stranglers records (by elder brothers) and Tony Bennett records (by their Mum), the young Morricone twins discovered there was much fun to be had in crooning and shouting in equal measures. The Scaramanga Six was finally realised in the dark & drizzly backdrop of Huddersfield, West Yorkshire where the band still lurk to this very day.
TyrannoPop? Luxury Rock Noir? Schitzophonic Splattercore? – whatever you want to call it, this suave and enigmatic unit have carved their own scenester-defying niche since the mid-90’s as the most unique and creative underground rock band in the UK. Every one of these individuals is hell-bent on assaulting the ears of the unsuspecting with intense and preposterous rock and roll music. Add ‘prolific’ to their wild claims – over the last decade & a half, the band have relentlessly embarked on a rampant recording spree. The average gestation period for a Scaramanga Six long-player is approximately 2 years – ‘The Terrifying Dream’ is the title of their current (and eighth) studio album, for which The Scaramanga Six decided to use the fantastic PledgeMusic platform to find and release with a hugely successful campaign. For their previous album, ‘Phantom Head’, The Six made an ambitious pilgrimage to Chicago Illinois to record with the best engineer in the world, Mr Steve Albini (Pixies, Nirvana, PJ Harvey, The Stooges, Shellac etc etc) in his own Electrical Audio studio. To get that authentic ‘Albini sound’, the recordings were all done completely live with minimal overdubs onto 2” tape using all analogue equipment and the bare minimum of post-production.
But hot on the heels of ‘The Terrifying Dream’, The Six are currently holed up in their secret underground base preparing a barrage of new material for their ninth studio album, which promises to be the most uncompromising, bloated and lavish offering to date. It seems The Six are entering a zenith of creativity, despite committing the music industry cardinal sins of mostly being over 40 and being around for over a decade.
The self-styled ‘evil pop group’ have been tearing a hole in the arse of the live circuit over recent years with their incendiary rock rituals including key slots at many UK festivals (headline set at Leeds 2007 on the Introducing stage). Their previous few albums have pulverised the minds of critics and also seen releases across Scandinavia, the Germanic countries and Japan, all through the band’s own infamous label – Wrath Records. Bookings at some of the big European festivals have also transpired (Hove Festival, Norway and Peace & Love, Sweden). All the while they have been building up and grooming a legion of die-hard crackpot fans ready to creep out from under logs or something and support the band wherever they play. And when they play, THEY SLAY.
“The Scaramanga Six make music to make mind movies to, and long may they continue. ” – THE QUIETUS
“Soulful and subtle, yet also adventurous and abrasive, The Scaramanga Six possess all the makings of a classic band.” KKKK – KERRANG!
“Rarely does such disregard for the basic principles of songwriting provide such exhilarating results” – ROCK SOUND
“As we tiptoe graciously through all the wannabe Libertines and second-rate U2s to find something genuinely original, unique and inspiring, it seems dear old Leeds has come up with the goods again – the intense-yet-aloof rock operas of The Scaramanga Six could be its most omnipotent discovery yet.” – DROWNED IN SOUND
“The Scaramanga Six exist in a weird sort of twighlight zone in the music spectrum, where the more experimental end of Ginger Wildheart’s catalogue rubs shoulders with The Cardiacs and The Fall, while Nick Cave looks on morosely” – PURE RAWK
“A cult phenomenon of a band known for their thunderous flamboyant style of rock; and a relentless presence in the Leeds rock scene since the mid 90s” – DROWNED IN SOUND
“Another great album from a band that really deserve a much bigger audience” – THE QUITEUS
“The guitars are tight, the melodies are memorable and effective and the production is spot on” – LOUDER THAN WAR